Possession, AI, and the Unsettling Reality of Innovation
Why Andrzej Żuławski's cult classic isn't just a horror film, but a visceral metaphor for the challenges, psychological tolls, and emergent complexities faced by founders and engineers in the age of AI and blockchain.


Andrzej Żuławski's 1981 cult classic Possession isn't your typical horror film. It's a relentless, intensely surreal experience that will challenge your perceptions of reality, identity, and control. If you haven't seen it, stop reading now, find it on Shudder or Criterion, and go in blind. You'll thank me later, perhaps after a long, disquieting shower.
For founders, builders, and engineers, this isn't just a cinematic curiosity; it's a visceral, unsettling metaphor for the very act of innovation itself – particularly in the rapidly evolving landscapes of AI and blockchain. The film's psychological unraveling, its exploration of doppelgängers, and its grotesque emergent entities mirror the anxieties inherent in creating and scaling groundbreaking technology.
The Uncanny Valley of Creation
Possession plunges deep into an emotional and existential abyss, where characters grapple with fractured identities and a reality that constantly shifts. This mirrors the "uncanny valley" not just in AI's visual mimicry, but in the philosophical implications of truly intelligent systems. As we push the boundaries of machine learning, creating algorithms that can generate synthetic data, craft compelling narratives, or even simulate human consciousness, we confront an unsettling question: what truly defines originality and authenticity? The film's monstrous creations, born from human despair and ambition, serve as a stark, albeit exaggerated, reminder of the unpredictable and sometimes terrifying emergent properties of complex systems we bring into being.
Digital Doubles and Decentralized Selves
The film's pervasive theme of doppelgängers and identity crisis resonates powerfully with the world of blockchain and digital identity. In a landscape increasingly defined by digital assets, NFTs, and decentralized autonomous organizations (DAOs), the concept of self becomes fragmented. Are we our on-chain identity, our off-chain persona, or a composite? Possession forces us to confront the idea that what we perceive as "ourselves" can be replicated, corrupted, or even replaced, raising critical questions about data integrity, self-sovereignty, and the immutable ledger of our digital footprints.
Systemic Breakdown and Unforeseen Dependencies
The chaotic, often inexplicable narrative of Possession can feel like navigating a highly complex, interconnected system rife with unforeseen dependencies and emergent bugs. For engineers building distributed systems or architects designing intricate AI models, this feeling is all too familiar. One small, seemingly insignificant variable can cascade into systemic failure, leading to outcomes that defy initial logic or design. The film underscores the fragility of order and the potential for entropy to take hold, a harsh lesson for anyone striving to maintain stability in a rapidly evolving technological ecosystem.
The Human Cost of Obsession
Beyond the metaphorical, Possession is a profound look at human obsession, ambition, and the psychological toll of creative (or destructive) pursuits. Founders often pour their entire being into their ventures, facing immense pressure, isolation, and the constant threat of failure. The film's protagonist, driven to the brink by an unidentifiable force, embodies the intense mental and emotional strain that can accompany the pursuit of innovation. It's a dark, vital reminder that while we build the future, we must also safeguard our own sanity within it.
So, if you're a founder battling an intractable bug, an engineer grappling with an ethical AI dilemma, or a builder wrestling with the very fabric of your digital creation, consider Possession a mandatory, albeit unsettling, viewing. It's more than a film; it's a chilling, hyper-real lens through which to examine the profound, often chaotic, implications of what we choose to create.